Raise your hand if you think technical problems are the worst.
Yeah, us too.
But thing is, we’re pretty good at fixing them. Actually, we’re experts. And if you’ve got tech issues, we want to help. At DKP, technology is our livelihood. So coming up with creative, innovative ideas for even the most difficult tech problems is our bread and butter. It’s what we do best.
Please read more about each services below and let us know if you have questions.
We Fix Flix
We Fix Flix is a sister-service we work with at DKP. Half of us are the same people actually! We Fix Flix specializes in innovative solutions for basically any tech issue you might encounter. In other words, if nobody else can fix it, We Fix Flix can.
Color grading and color correction are not the same thing. Generally speaking, if you require color correction (which is usually done prior to color grading), you probably had some issues when you shot your original footage.
Is Your Story in the Right Frame Rate?
There are a lot. And if your story is set for wide distribution throughout the world, it won’t be uncommon for your project to require a frame rate conversion. For example, in the U.S., broadcast is either 29.97i or 59.94p. But in Europe and various other locales around the world, it’s 25i or 50i.